Jan van Scorel
Dutch 1495-1562 Jan Van Scorel Galleries Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works. In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere. Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels. Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.
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Jan van Scorel Enzyklopadie der Weltkunst oil painting


Enzyklopadie der Weltkunst
Medium Oil on panel Dimensions 67 ?? 76.5 cm (26.4 ?? 30.1 in) cyf
Painting ID::  77578 		Jan van Scorel
Enzyklopadie der Weltkunst
Medium Oil on panel Dimensions 67 ?? 76.5 cm (26.4 ?? 30.1 in) cyf
   
   
     
Jan van Scorel Madchenkopf oil painting


Madchenkopf
um 1530/1535 Oil on panel 28,5 x 23 cm cjr
Painting ID::  77686 		Jan van Scorel
Madchenkopf
um 1530/1535 Oil on panel 28,5 x 23 cm cjr
   
   
     
Jan van Scorel Portrait of a young scholar oil painting


Portrait of a young scholar
1531(1531) Medium Oil on panel Dimensions 46.5 x 35 cm (18.3 x 13.8 in) cyf
Painting ID::  79237 		Jan van Scorel
Portrait of a young scholar
1531(1531) Medium Oil on panel Dimensions 46.5 x 35 cm (18.3 x 13.8 in) cyf
   
   
     
Jan van Scorel Portrait of a young scholar oil painting


Portrait of a young scholar
1531(1531) Medium Oil on panel Dimensions 46.5 x 35 cm (18.3 x 13.8 in) cyf
Painting ID::  80022 		Jan van Scorel
Portrait of a young scholar
1531(1531) Medium Oil on panel Dimensions 46.5 x 35 cm (18.3 x 13.8 in) cyf
   
   
     
Jan van Scorel Madchenkopf oil painting


Madchenkopf
Deutsch: um 1530/1535 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 28,5 x 23 cm cyf
Painting ID::  80951 		Jan van Scorel
Madchenkopf
Deutsch: um 1530/1535 Medium Oil on panel Deutsch: Öl auf Eichenholz Dimensions Deutsch: 28,5 x 23 cm cyf
   
   
     
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     Jan van Scorel
     Dutch 1495-1562 Jan Van Scorel Galleries Jan van Scorel (1495, Schoorl - December 6, 1562, Utrecht) was an influential Dutch painter credited with the introduction of High Italian Renaissance art to the Netherlands. It is not known whether he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz in Amsterdam, but it certain that it was the master painters he would meet later in his life who would have the greatest effect on his technique. Van Scorel began traveling through Europe in his early twenties, first heading to Nuremberg and then to Austria. It was there, in 1520, that he completed his first representative work, the "Sippenaltar" in St. Martin's church in the village of Obervellach. Giorgione served as a considerable influence on van Scorel during a tenure in Venice. Upon leaving Venice, van Scorel passed through Rome and made a pilgrimage to the Holy Land. His experiences in Jerusalem are depicted in many of his later works. In 1521, van Scorel returned to Rome where he met Pope Adrian VI, who appointed him painter to the Vatican. He himself sat for a portrait. Van Scorel enjoyed the influence of Michelangelo and Raphael, and succeeded Raphael as Keeper of the Belvedere. Upon his return to the Netherlands in 1524, he settled in Haarlem where he began a successful career as a painter and a teacher. Van Scorel was a very educated man and skilled as an engineer and an architect, as well as an artist. He was also multi-lingual, no doubt as a result of his travels. Considered to be the leading Netherlandish Romanist, van Scorel moved to Ghent for painting contracts before moving to Utrecht for the same reason, where he died in 1562, leaving behind a wealth of portraits and altarpieces. Though many of his works fell victim to the Iconoclasm in 1566, some still remain and can be seen primarily at museums in the Netherlands.

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